(Background: I was asked recently for a writing sample, and I took the opportunity to restate, more concisely, what I’m trying to do with Keyboard Philharmonic.)
Musicians performing classical music and opera, and teachers and students of this music, are on the cusp of a transformation from printed music scores to digital scores. This will be as significant as the shift of text communication from printed books and magazines, to web articles, blogs, emails, and tweets.
I believe a particular model is the right next step. I call it, “Labour, symbols, and free”. It is a policy package for a music score transcription effort. It fills a gap in the present situation, and opens a gate to move forward. I will also describe the strategic context. Continue Reading »